Stillness, hands and eye line

Stillness, hands and eye line

Unnecessary movement reads as nerves, whatever you're actually feeling.

CClarke CurranLesson 9 of 1210 min

Physical stillness and eye contact are two of the fastest signals a room reads for confidence, and both are almost entirely trainable, independent of what you’re actually feeling inside. That gap, between internal state and external signal, is genuinely good news, because it means you don’t have to feel calm to look composed.

Shifting weight from foot to foot, touching your face, or letting your hands move without purpose all register, even if the room can’t say exactly why, as discomfort. None of it is conscious on the speaker’s part, which is exactly why it needs to be practised consciously rather than left to fix itself.

Try this now. Record thirty seconds of yourself talking about anything, standing, with your phone at chest height. Don’t try to control anything. Just talk. Watch it back with the sound off, and note only what your feet, hands and head did without your noticing. Most people are surprised by at least one habit they had no idea they had.

The fix isn’t rigidity. A completely frozen speaker reads as tense, not confident. It’s reducing movement to what’s purposeful: a hand gesture that emphasises a point, not one that fills the silence where stillness would do the job better.

Clarke Curran

Clarke Curran

Founder & Coach

I've spent ten years coaching executives on how they sound when it counts — in boardrooms, on stage and on camera. One coach, one client at a time.

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